Gabriel Mark Hasselbach - Mid Century Modern Vol 4 - Windtunnel Records
MidCentury Modern Vol. 4 is a 20-track powerhouse — the culmination of a lifelong journey to leave the unmistakable mark of a highly decorated professional player on the tracks he loves most. Gabriel Mark Hasselbach honed his sound on the legendary recordings of the Blue Note and CTI eras, crafting a heartfelt homage to major influences like Blue Mitchell, Freddie Hubbard, Chet Baker, and Miles Davis, while also shining a light on underrated masters such as Carmell Jones and Joe Gordon. Impossible to categorize, the trumpeter, flutist, flugelhorn and valve trombone player — who also lends his voice as a singer — channels the hard swinging, groove-driven spirit of jazz from the ’50s, ’60s, and early ’70s with authenticity and style. There are 5 bonus tracks (16-20) online at all DSPs that did not fit on the physical CD.
Michael Eckroth Minas Messengers - New Paths - TRR Collective
Truth Revolution Recording Collective is proud to announce the June 19 release of New Paths, the latest album from pianist and composer Michael Eckroth and his Minas Messengers. Recorded in Belo Horizonte, Brazil, the album is the product of a Fulbright Scholar residency and draws on the folkloric Congado traditions of Minas Gerais, finding the intersection of these cultural forms with jazz improvisation, Brazilian popular music, and Eckroth’s personal compositional voice. The album features longtime collaborators and new musical connections, including bassist and co-producer Eneias Xavier, guitarist Magno Alexandre, drummer Cyrano Almeida, percussionist Talles Bibiano, and special guest, Minas guitar legend Toninho Horta.
Smithsonian Jazz Masterworks Orchestra - Ellington Masterworks - MCG Jazz
The variety that characterized the abundant composition legacy of Duke Ellington is masterfully captured on this eight-selection program that is bookended by two compositions from 1940, “The Flaming Sword,” a Latin swing tune and “Jack the Bear,” most noted for the bass work of the legendary Jimmy Blanton on the original recording. In between are a couple of stand-alone numbers, “Tattooed Bride” and “Shepherd.” There are two pieces inspired by the world-wide travels of the Ellington band, “Ad Lib on Nipon” that grew out of a 1964 tour in Japan, and “Oclupaca,” part of the Latin American Suite. The other selection came from Such Sweet Thunder, the suite that was inspired by the works of Shakespeare, the selection here being “Madness in the Great Ones,” a take on the story of Hamlet. The informative liner notes by Thomas Cunniffe provide wonderful background and analysis of each selection. The execution by the band of these demanding charts is exactly what the material demands.
Shuteen Erdenebaatar and Nils Kugelmann - Under the Same Stars - Motema
German Jazz Prize winners Shuteen Erdenebaatar (a Motéma artist and a Downbeat 2025 Critics Poll Rising Star Artist of the Year) and Nils Kugelmann (a celebrated ACT Music artist) converge on Under the Same Stars, a captivating duo album blending jazz, classical, and cinematic music into a poetic and thrilling musical adventure. This exquisite follow-up to Erdenebaatar’s breakout debut, Rising Sun, pairs her evocative piano with Kugelmann’s rare contra alto clarinet, creating an intimate and unexpected sonic palette. As partners in both life and sound, their natural chemistry has been honed through over 300 performances since they first met in 2020, including more than 100 concerts across Europe and Asia in the past year alone. The album features original compositions by both artists. Highlights include the luminous “Mirror Under Water,” the joyous “Tiny Wonders,” and “What Will Remain,” a Kugelmann ballad that features the haunting sound of the Morin Khuur (Mongolia’s iconic horsehead fiddle), as well as Erdenebaatar’s gorgeous “Whispers Beyond Time”, featuring special guest Jakob Manz on alto recorder. Drawing inspiration from celestial mythology of Erdenebaatar’s Mongolian homeland, Under the Same Stars is the second volume in a trilogy Erdenbaatar is releasing via the Grammy-winning Motéma Music label. It showcases two remarkable young artists whose musical connection is both intuitive and profound.
Django Festival Allstars - Evolution - Motema
Django Festival Allstars: EVOLUTION is a dazzling, high-octane audiophile studio album of striking new gypsy jazz compositions. Celebrating 25 years of the historic Django Reinhardt NY Festival—where the Allstars first united in 2002—the album captures one of jazz’s most exhilarating ensembles at full power. The group both honors and expands the legacy of Reinhardt and Grappelli’s “Gypsy Swing,” the sound that electrified Paris in the 1930’s and ’40’s and is now enjoying a global resurgence. Core members Samson Schmitt (guitar), Ludovic Beier (accordion/accordina), and Pierre Blanchard (violin) shine not only as from within this astonishingly cohesive quintet, but also as virtuosic jazz soloists and composers of the highest order. EVOLUTION is more than a celebration—it’s a statement of artistic growth, a testament to enduring legacy, and a thrilling glimpse into the future of gypsy jazz.
Geri Allen & Kurt Rosenwinkler - A Lovesome Thing - Motema
A Lovesome Thing is the one-and-only recorded collaboration between jazz greats Geri Allen and Kurt Rosenwinkel, which took place live at the famed Philharmonie de Paris on September 5, 2012. The two play as if with one mind. Geri spoke often of her desire to do a studio recording to document the ‘flow and freedom” she experienced playing with Kurt that night in Paris. Unfortunately, we lost her before that date ever materialized, but fortunately, that concert was recorded. Produced by Kurt Rosenwinkel and Motema’s Jana Herzen, A Lovesome Thing is warmly dedicated to Geri’s memory. This album is truly a ‘lovesome thing’ for fans of Geri, of Kurt, and of piano and guitar jazz fans at large.
Eva Cortes - La Malinche - Truth Revolution Records
La Malinche is a record born from urgency. From ICE raids and systemic racism to abuse of power and erased histories, this album is Eva Cortés singing back—loudly, rhythmically, and without apology. She calls it “Protest meets Rhythm”: music as vindication, memory, and collective dance floor. The title references La Malinche, the Indigenous woman enslaved during the Spanish conquest who became translator, survivor, and mother of the first mestizo child recorded in colonial chronicles. Cortés reclaims her not as a traitor, but as a symbol of resilience, forced hybridity, and Indigenous endurance. From Ushuaia (Argentina) to Utqiagvik (Alaska), the album insists on a radical truth: despite borders, colonization, and attempts at erasure, the Indigenous peoples of the Americas are one continuum—alive, strong, and still reclaiming their destiny. Musically, La Malinche blends jazz with flamenco, Afro-Latin and Indigenous influences. The result is music that invites you to dance, think, and stand up at the same time. At its core, La Malinche isn’t about nostalgia or victimhood. It’s about joy as resistance, rhythm as survival, and music as a place where history, protest, and hope move together.
Lakecia Benjamin - We Dream - Artwork Records
We Dream is the new studio album by New York–based alto saxophonist, composer, and bandleader Lakecia Benjamin. Conceived as a deeply band-driven project, her sixth album and Artwork Records debut centers on Benjamin’s frequent collaborators in pianists Oscar Pérez and Miki Hayama and bassist Elias Bailey — along with new associates in trumpeter Sean Jones, and drummer Jonathan Barber — alongside an expansive cast of guest collaborators drawn from across jazz, R&B, hip-hop, and experimental music. We Dream reflects what Benjamin describes as a shift in perspective — a response to the present moment and the world around her. “I started thinking about the idea of being a bright light in a dark space. Things feel really dark right now — everywhere — and we’re trying to be that light.” Rather than assembling guests for ornamentation, Benjamin approached the project as a collective statement, bringing together artists she admires for their capacity to evolve, innovate, and reshape musical language.
Thelonious Monk - Live In Paris,1967 vol 1 - Rhythm-A-ing
The Thelonious Monk Estate presents Monk Live In Paris, 1967, Volume One, a newly restored recording of one of the most elusive performances from Monk’s European tour. Captured at Salle Pleyel in 1967, this release documents Monk at the height of his creative powers, leading his classic quartet: Charlie Rouse, Larry Gales, and Ben Riley. Long circulated in unauthorized form, this performance is now officially released as part of a new archival series—reclaiming and preserving Monk’s legacy. A rare, expanded ensemble with Phil Woods, Jimmy Cleveland, Ray Copeland, and Johnny Griffin. A performance that unfolds—spontaneous, exploratory, alive in real time.
New Jazz Underground - Hoodies - Artwork Records
The jazz trio, especially the chordless jazz trio, has long been a genre staple, and has historically provided a vehicle for the boldest of musicians to venture forth and explore new territory. New Jazz Underground (“NJU”), a viral internet sensation of a trio comprising saxophonist/vocalist Abdias Armenteros, bassist Sebastian Rios, and drummer T.J. Reddick has been lauded for this very thing. Described by NPR Music as “classy and classic,” NJU are a group of musicians who “clearly know the jazz tradition but push at the corners of hard bop and hip-hop.” (NPR, 2024). Assembled during the COVID-19 pandemic to perform in open-air spaces as a way to cope and survive, the trio quickly became a powerhouse of three unified minds whose history-crossing sensibilities took the hearts and minds of their listeners, both in-person and across the internet, by storm. Now, after having performed, as the band poignantly states, “from the streets all the way to the stage of Newport Jazz Festival” in the span of only a few years, NJU releases “Hoodies” on May 29, an homage to brotherhood, culture, and identity.